Sterling Silver Japanese Etched Leaves & Flowers Pendant Necklace with Natural Silk Cord |
Australia is also home to featured jewelry designer Simone Walsh.
At the risk of sounding redundant some classic jewelry
designs seem uninspired veering towards safe.
Yes, a classically styled piece of jewelry stands the test of time but I also feel some jewelers rely too heavily on tried-and-true standards.
Yes, a classically styled piece of jewelry stands the test of time but I also feel some jewelers rely too heavily on tried-and-true standards.
To me the design quality of Walsh’s pretty and girly
recycled sterling silver jewelry is more expressive than what this niche
generally tends to be. She subtly
explores textures, shadings and forms while maintaining a layered
representation of femininity.
Walsh, who is celebrating her twentieth year this year as a
jeweler, initially wanted to work in the music industry and did. At 16 years of age, in 1992, she left school
to work in a recording studio and eventually a full-fledged record company.
After becoming disillusioned with the treatment of women in
the field, she decided she wanted to change career trajectories but did not
have a clear idea in mind.
“I was in a shop and I happened to see a very simple but
striking piece of wire wrapped glass jewelry.
I wanted to know how it was made so I got some wire, pliers and marbles
to play around. I was hooked and I
wanted to learn how to make more advanced pieces,” she recalls.
Walsh would later enroll with the University of Sydney’s College of Arts to study jewelry and object
design obtaining a Bachelor of Visual Arts.
Sterling Silver Stacking Rings |
She would relish in experimenting with techniques and themes never settling on one specific style. Walsh’s understated yet visually complex design approach is informed by floral and vintage patterns, Japanese aesthetics, and modern lines.
Sleek sterling silver stacking rings, circle etched pendant
necklaces, arabesque designs and accents of oxidation or lab created gemstones
complete the designer’s breezy visual language.
“None of my work is made by simply assembling mass-produced
components. I use traditional metalwork
techniques such as saw piercing, etching and gilding.
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