Glass Pacolab Ring with Metal Inlay |
A city known for its bustling night life, and educational centers, such as the Louvre, Paris has something for
everyone.
France is also home to featured jewelry designer Amelie Riech.
In many cases, such as the collections of Janis Kerman (Canada) or Carolyn Bensinger (USA), the modern
jewelry niche rests between the fringes of contemporary art jewelry and classic
design. This style is often a marriage of restrained proportions
offset by unique materials and arrangement.
Riech’s super chic choker necklaces of gold-coated porcelain and cuff bracelets of laminated glass are a showcase of this style marriage. The ultra-smooth surfaces, geometric outlines and monochromatic colors are a captivating presentation of simple and strong; commanding and subtle.
Riech’s super chic choker necklaces of gold-coated porcelain and cuff bracelets of laminated glass are a showcase of this style marriage. The ultra-smooth surfaces, geometric outlines and monochromatic colors are a captivating presentation of simple and strong; commanding and subtle.
A former fashion designer and stylist, Riech’s creative
energy flows readily. That flow of
creative vigor is changeable moving Riech through different byways to express
the rustle of inspiration inside her.
Juggling responsibilities in both Paris and her native
Berlin, she worked for prominent international fashion houses. It was not until 2008 that designing jewelry
became a powerful interest, and UNCOMMON MATTERS was born.
Riech’s glossy, futuristic style bypasses trends while
remaining solidly fashionable. Gold
tones offset by black, highlighted in her 2012 Pacolab series, is haute yet low-key.
Laminated Glass Elements Pacolab Cuff Bracelet |
The body molding porcelain forms of her 2009 AU [79] series are runway ready in their
clean, uncluttered silhouettes. Each of
her collections reflects a designer with a definite point of view.
“At the time I launched my brand I was full of ideas. Every item is made by hand. It is a complex and exciting process of
developing techniques to mold and shape materials to the body.
I have a deep emotional fascination with
traditional handicraft. I tend to work
very intuitively to apply unexpected function and perception to a material,”
she explains.
To me, light is magic. In the end I consider my pieces as art objects that can stand for themselves or underline the personality of a unique woman.”
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