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After several centuries of disrepair, the castle underwent a restoration in the mid 1950s and now houses a museum. Poland is also the home of featured jewelry designer Piotr Malysz.
I expected Malysz' collections to be ultra modern, and monochromatic and to some degree they are; however, Malysz explores varied outlines, colors, textures, and styles in his collected works.
Considering at one time the Polish government was restrictive to the arts, it is nice to learn about a few jewelry designers, as well as other types of artists, from this part of the world.
Malysz began creating jewelry a little over two decades ago and his diverse design approach incorporates sterling silver, carneolite, and beads of silver and acrylic.
One of the collections includes vise-like pendants strung on cables featuring what appear to be rough-cut pieces of amber. These particular items, with their powerful angular structures, possess a masculine type of edginess.
He continues this masculine aesthetic in a second collection that features a series of neutral tone metals carved alternately into circular and square discs. The focal point is the contrast of two to three different metals he implements in a single disc.
The disc's design structure highlight halves or portions of different metals. One metal is gold with a brushed finish and a small section of it appears torn away exposing oxidized silver with a grooved surface.
Switching gears, his bead-link collection highlights vibrant colored beads and clean, linear designs. Here again, the arrangement of small details can generate such an incredible visual impact.
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One of my favorite collections features items that resemble small, chocolate cakes dusted with silvery sugar.
Whether or not this is the effect he was going for, I don't know but the design is a testament to the incredible structures rendered from metal.
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Photo 1 (top right): Calcite, Carneolite, and Silver Necklace
Photo 2 (bottom left): Unidentified Item (Chocolate Cake)
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